InYoung Yeo’s Happily Ever After considers the entanglements of bodies with technology and each other; here “lust” becomes subject of the artist’s research processes. Beginning with the idea of technology as a contemporary interlocutor for human desire, Yeo approaches sex, gender and sexuality as both highly mediated by and resistant to the “compressive” nature of digital intelligences. Lust becomes an impulse that drives technological interaction at the same time as it can never be fully satisfied by it. This loop constitutes what Yeo explores as a system of repetition and deferral – a new and ongoing set of frustrated co-dependencies. Her work represents these as repeated patterns and forms, inhabiting the gallery as an edition of wallpaper and a new sculptural work. Yeo states, “Depicting the intertwined physical relationship among people to people and people to technology, the project addresses the wider scope of the cyclical and repetitive pattern of our behavior in consuming the ‘disillusionment’ of satisfaction in its manipulation and distortion.“ -Vanessa Kwan-


그 이후 행복하게 잘 살았습니다, 여인영, 혼합 매체 가변크기 2019, 그런트 갤러리 벤쿠버 캐나다 
dot.dot.dot, “Happilly Ever After”, InYoung Yeo, mixed media dimensions variable 2019 grunt gallery Vancouver Canada 
(Photo: Dennis Ha)

 

 

그 이후 행복하게 잘 살았습니다, 여인영, 혼합 매체 가변크기 2019, Strizzi 쾰른 독일
Happilly Ever After, InYoung Yeo, mixed media dimensions variable 2019 Strizzi Cologne Germany


 

그 이후 행복하게 잘 살았습니다, 여인영, 혼합 매체 가변크기 2019, Advance Art Museum 창사 후난 중국
Happilly Ever After, InYoung Yeo, mixed media dimensions variable 2019 Advance Art Museum Changsha Hunan China

 
© InYoung Yeo All Rights Reserved